Showing posts with label man. Show all posts
Showing posts with label man. Show all posts

Wednesday, February 20, 2008

2008 Villanelle: Gravity


Gravity

DW Bender
February 18-20, 2008

'Tis gravity that ages you and me;
we circuit day by day, year after year
on clockwork gears of earth, sun, moon and sea;

So round we go, flies on a string, and free
to rise or fall within our atmosphere;
'Tis gravity that ages you and me:

The constant pull and push on A through Z
grinds periodic elemental spheres
on clockwork gears of earth, sun, moon and sea:

As sure as warmth draws sap up through the tree
and water draws the root down deep and near,
'tis gravity that ages you and me.

All Adam's clay, we sink to whence we spring
(o just another ruse, dear Chanticleer).
On clockwork gears of earth, sun, moon and sea

the wheel of life-death-life spins until we,
weary, find rest in That which holds us dear.
'Tis gravity that ages you and me
on clockwork gears of earth, sun, moon and sea.


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Hyperlinked here, are pages of a site with a favorite villanelle by Theodore Roethke, The Waking. Also, Do Not Go Gentle Into That Good Night by Bob Dylan. Others villanelles and poems are available on the site, including a surprising one I've not read before: In Memory of the Unknown Poet, Robert Boardman Vaughn by Donald Justice. Here, I discovered a villanelle I like very much, Sugar Dada, by J. Allyn Rosser. I am especially drawn to Rosser's deep and Zennish, if not philosophically disillusioned lines, "Meaning lies in meaning's absence. The mist / Is always almost just about to lift./Nothing is truer. Dear, not even this ...". Love the poem.

Another site with some of my favorite villanelles by other poets: Mad Girl's Love Song and by Sylvia Plath, One Art by Elizabeth Bishop; some also on the above site.

Tuesday, February 12, 2008

Love Haiku (for my first love)


that boy I once loved
is the man I still love...
warmth of the far sun


DW Bender
Haiku, February 12, 2008

>>>>>>>>>>>>>>>>>
How to Haiku: In 2001, I wrote a lesson-method article for World Haiku Review. Haiku Sketchbook offers beginners in haiku a way which I, myself, use to learn how to haiku from the masters. For this, I recommend studying only Japanese haijin at first. Why? Most of us, in beginner's ignorance are not writing haiku (or tanka, senryu, and haibun) at all. If you wish to learn to write haiku, to percieve the spirit of haiku, please do such a "sketchbook" study each day.